Movie Analysis Paper Essay Example | Topics and Well Written Essays - 750 words

Movie Analysis Paper - Essay ExampleIn a low-context culture, more information is in transmitting messages in regulate to create the omitted (RAHMAN, 2005).Amy Tan, daughter of John and Daisy Tan and was born in America after the divorce of her develops first husband who turned out to be abusive. Daisy left her three daughters whom she would not see for nearly forty years, according to Joy probability Club context (Eshbaugh, 2011). Featuring Amy as daughter in the Joy Luck movie explains more on the difficulties contracts and daughters face in communication.The theory explains that there were conflicts between Amy and her mother after the death of Mr. Tan and Amys elder brother from a brain tumor. Mrs. Tan and her other children moved to Switzerland, where Amy finalized her high school education. Her mother, however, choose where and which course Amy had to study as it was the culture back in China (Tan, 2012).Amy contradicted her mother and took the course of her desire after w hich she got married to an American. Amy explored in many fields to find her satisfaction. She is the best example of daughters in Joy Luck Club as she grew between two cultures and tries to assimilate into American culture as a young child at the expense of Chinese culture (RAHMAN, 2005). She disagreed with her mother most her career plans and education (Tan, 2012). She never met her mothers expectations as the mother featured her daughter as a doctor and a concert pianist (RAHMAN, 2005). Amys mother never got married to another(prenominal) man while in China and had children in the previous marriage. The act resembles the life of Jing-Mei s mother, who is a character in the movie (Eshbaugh, 2011). Amy Tan brought her mother to China to meet her daughters whom she left behind. The action is again similar to that of Jing-Mei in the movie, although Jing-Mei returns alone for her is dead. According to this theory, mothers and daughters tend to see things from another perspective as